book organization

This is a picture of two sassy penguins, because I don’t know what else to do

By Kathleen Sawisky, Esq.

This week Kathleen takes the reins as Ashley herds small children and attempts to not lose her mind!

I should be writing. I should be writing an awesome scene that has Natalia stabbing a child molester right in the stomach in a show of strength yet unseen in her as a character. I should write it because it would be awesome, but I feel tapped out.

This happens to me every so often. I know some other folks describe the same sort of thing as ‘writer’s block’, and everyone has their own way of dealing with it. Some people push through, others take a break, do some reading, learn a new skill, or gaze silently at their family and question all their life choices. Personally, I tend to just let it ride out. I’m never going to produce anything of substance if I am forcing it. And besides, it’s not as if my brain stops working while I am taking my well-deserved mental rest.

It’s been a crazy week, and I’m sure that’s part of the issue. I found a part time job as a marketing/comm specialist for a local video game start up, and I’ve been offered the opportunity to try my hand at writing every so often. Sign me up! Tomorrow is my convocation ceremony wherein I will pretend to be a wizard and/or blue bird (I have yet to decide). And did I mention our usually-rainy-month of June has decided that now is a good time to be 32 degrees? Our condo, sans AC, is sweltering, and my brain is about as functional as a half-empty jar of sauerkraut.

And still, still Natalia calls to me. She wants to stab that moron in the stomach and get it over with. Part of the struggle between being a blob and being productive comes from the fact that at least two of my beta readers have finished stumbling their way through Book 1, and I’m becoming increasingly more nervous about what they have to say. I’ve always had a problem dealing with critique, which is something I’ve been working on quite diligently. Not even in writing. When I was a wee child performing at the Kiwanis Music Festival (I have the voice of an angel crossed with Tom Waits and yes, it is fabulous.) I used to get teary-eyed whenever the adjudication came around. I always wanted to be the best, but I was only ever average. That was until a couple years back. I stopped singing after 16 years of lessons because, well, life, and as an adult I finally decided to take lessons again because I wanted to. I entered the Kiwanis Music Festival, one song only in the Musical Theatre Category, because I wanted to do it.

What would you know? First place. I kicked musical ass that day, and it acted as a bit of a revelation for me. There comes a time when you have to stop bowing to the commands and demands of others and pursue things, or not, because that is what you want. The pressure that is exerted on us might just be part of the reason why we sometimes feel like our efforts are artificial and don’t reflect what we are trying to do and say.

When I took my writing into my own hands, when I joined Critique Circle and I made the decision to pursue self-publishing, that was when my work began to feel like a more honest reflection of myself. It’s not perfect, and it isn’t a mirror image of what I see play out in my head, but it is still more honest than what I was writing and rewriting when I had family members pressuring me to do something with it.

Now I only tell family and friends about my writing after it is gone and out of my hands. It’s been submitted, it’s in a slush pile, it belongs to the astral plane now, and I have no control over what happens next. It’s a nice feeling. It is also terrifying, which is probably why I peed myself a little bit  (both at the Kiwanis Festival and when sending Book 1 to the beta readers. Only one peeing incident was expected, and I’ll let you guess which one.)

So there you have it. If you want to be okay with criticism, take singing lessons for 16 years, then stop, then take some again 5 years later and then try writing. I don’t know, maybe it’ll work a second time.

Subplot Inception

This week neither Ashley nor Kathleen could remember whose turn it was to post. Thusly they have developed their new segment “Work it Out Commentary, with Ashley and Kathleen.” This week Ashley and Kathleen play with the idea of subplots.

 

You know something, Ashley? I friggin love subplots. They are like bacon on sandwiches to me. Sure, you can have too much, but honestly, the line between not enough and too much is pretty wide.

 

I do love me a good subplot. I just finished a re-read a Deathly Hallows and Rowling is a master of this. I really enjoyed her “hey look over here!” approach. Just when you get a piece of information relative to one of the subplots something happens in the main plot, or just in the scene and you completely forget to think through what you just learned. It really kept me from figuring things out too early.

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Optimism: At Least it Isn’t 110 Changes

Ashley and Kathleen are really very busy what with life and school, so this week it is just Kathleen here, drinking horchata, and missing her partner in crime.

Listen, I’m going to be frank. This is my last day of my degree and I have checked out. By tomorrow this time I will be free and clear (save for some final exams) to write to my heart’s content. Of course, I actually have to find a job and earn money but… until then!

I have amassed very few gold stars over the course of this degree.

With that in mind, I have narrowed my list of changes that need to be made to The Code, Book 1 to a grand 109 changes, both small and big. I also need a good sub-title for it.

109, daunting but doable.

The worst part of the whole thing is trying to rewrite the opening scene. I don’t know if this is some sort of universal struggle (it seems to be) but everyone I have spoken to appears to be in the same boat. That first scene is the worst. Not first chapter. First scene. Should it be actiony? Funny? Quiet? Should it introduce the main character literally in the first sentence or have some build up? Just how many explosions are too many explosions for the first chapter? And, of course, how many dead people are really considered ‘acceptable’ versus ‘a warning to general society’?

I’ve rewritten the first chapter of The Code more times than I can count. What is curious is that the draft for Book 2 has an excellent opener. I love it. Wouldn’t change it, and apart from general edits I have no plans on doing so. So, what is so hard about trying to introduce Natalia’s story? These things must happen:

  • She must find her mother dead, at home
  • She must run for it
  • She must find the nesting doll
  • Her house must burn down (so, at least one explosion is acceptable. That much I know for sure.)

And that is it. Literally, anything else could be changed. I could have her in the middle of the firefight. I could have it open with her standing over the body of her mother (not a bad idea, actually. It would certainly cut down on words.) I could have her skipping rope with a python for goodness sake. It would certainly increase her street cred right off the bat.

Damn you, first chapter! You continue to baffle me! Looking back to my favourite books, the openings haven’t wasted much time. There’s usually a small paragraph before they introduce the fact that, Bam! Wife and Daughter are dead or Bam! Daughter is dead and oh, also it is her birthday.

I’m starting to see a pattern develop here, so if I get the idea of making all my motivation come in the form of dead family members, please take me aside and politely remind me that I don’t want to be like Clive Cussler and maybe it is time to look at some other forms of motivation. Like, oh, I don’t know, explosions?

This isn’t very funny today. I apologize. In all honesty, my brain is fried. I want to write. Heck, I know I need to write, but every time someone puts something that needs doing in front of me my general reaction is just…

WAT?

Yeah. That about sums it up. Now if you’ll excuse me, I’m about to go look at my list of things and realize that I left off at least 36 other changes that I have noted on various post-it notes and scrawled on my bathroom mirror with tubes of old lipstick.

That about sums it up.

Kathleen is normally fairly sarcastic, especially over at her blog. 

Keeping It All Straight in a Tangled (and Fantasy) World

by     D.M. Gutierrez

Last week I talked about assistive technology. This week I thought I’d talk about something a lot of you probably already know about organizational technology.

Maybe not quite this bad…BUT!

First of all, I have to reiterate that I am a pantser to the marrow of my bones. It is an exciting way to write—since I am getting to see the story for the first time as I go along—but there comes a time when organization is needed. For example, could Bullander Frisch have sons old enough to be soldiers when Sylvellin is 16? What’s happening in the background while Syl is growing up that creates a toxic environment for her? Does the Prophetice have enough time to entrench his power base? How in the world (even my own created world) can I keep track of all the zillions of characters that keep forcing their way into this book!!!

A few weeks ago, I started worrying about relative ages and such, so I covered my 6’X8’ whiteboard with calculations, relationship networks, and plot and character arcs. What a mess! Not only because I can barely read my own handwriting, but because there was no organization to it whatsoever.

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